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EZEKIEL PHALANA
Johannesburg’s most anticipated music celebration, the Standard Bank Joy of Jazz, officially opened its doors today at the Sandton Convention Centre, marking the beginning of a three-day sonic journey that brings together world-class talent, vibrant rhythms, and the unifying power of jazz.
Now in its 27th year, the festival continues to stand as a testament to South Africa’s thriving jazz culture — blending homegrown artistry with international excellence. Day 1 set the tone for an unforgettable weekend, featuring a rich mix of genres, from soulful improvisations to global jazz fusions, across four dynamic stages: Diphala, Conga, Dinaledi, and Mbira.
Highlights from Day 1
On the Diphala Stage, audiences were treated to a masterclass in musicianship, with performances from The Baylor Project (USA), Jazzmeia Horn (USA), Kyle Shepherd (SA), and Siya Charles (SA), alongside rising stars Phinda Matlala, Hakan Basar Trio (Turkey), and Peter Auret Trio. Their sets showcased both the technical brilliance and emotional depth that define the modern jazz movement.
The Conga Stage delivered a cross-continental celebration of sound, featuring Oumou Ndegeocello (Mali), Ababhemu Quartet (Sweden/Norway/SA), Xolisa Dlamini, and Alune Wade (Senegal). Each act brought unique stories and sonic textures, reinforcing Joy of Jazz’s mission to bridge cultures through music.
Meanwhile, the Dinaledi Stage hosted some of the genre’s most innovative voices. The multiple Grammy-winning Esperanza Spalding (USA) captivated the crowd with her distinctive blend of jazz, soul, and experimental artistry, supported by an impressive local roster including Thandi Ntuli, Andile Yenana, and Mandla Mlangeni — all champions of South African jazz evolution.
Rounding out the evening, the Mbira Stage came alive with genre-bending performances by José James (USA), Amanda Black, Elaine, Berita, and Tresor — bringing a fresh blend of R&B, soul, and Afro-jazz energy that had audiences on their feet.